We
spent this week in Mobile, AL., a place we had previously
visited. Normally this is a "no-no" as we try to never
repeat, but I had spotted an interesting article in a local
paper, describing a new exhibit at the Gulf Coast Exploreum
Science Center. It was the U.S. premiere of an exhibit from
Beijing, China. called "China! 7000 years of
innovation". The exhibit celebrates ancient Chinese arts,
science, and creativity. Being from a country that is only a
couple of centuries old, it is hard for me to fathom a history
that goes back as far as recorded time, and then some. Now, I
found displayed out on two floors of this gigantic building, all
those fascinating things the Chinese invented long before the
Europeans
would even envision them. The communications
between east and west was practically non-existent until Marco
Polo ventured across the Alps and into that strange and beautiful
land. One of the neatest things about the exhibit is that it came
with a full set of Chinese artisans right out of China. These
delightful craftsmen and women spoke very little English so it
was somewhat difficult to ask questions. The staff at the museum
is currently learning Mandarin, the language of most Chinese in
order to make the show more workable and the workers a little
more comfortable. We were met at the entrance to the exhibit by
two of my favorite Chinese characters. Terracotta warriors, the
kneeling archer who was missing his crossbow was a copy of one of
more then 7000 life-size figures which were found in 1974, buried
in a single huge pit near the grave of Emperor Qin Shi Huang.
They represent a complete army unit of chariots
and infantry.
Each body was modeled by hand and the mould-made heads, hands and
feet were attached separately. Just around the corner we found a
scale replica of a bronze chariot from the tomb of the same
Emperor. In the winter of 1980, Chinese archaeologists discovered
two chariot groups at the site of the tomb of the first Emperor
of China near the city of Xian in Shanxi Province. The excavated
chariots, horses and drivers are about half life-size. The horse
harness and other fittings were reproduced in such fine
detail that they are a major source of information on ancient
Chinese vehicles. As this exhibit showcases the ancient
discoveries and inventions of China, none is more impressive or
well known than the discovery of silk around 2600 BC.
Demonstrations of this art were in several areas. The largest of
which was a two story Jacquard style loom requiring two people to
operate. They were typically used to produce a silk fabric called
Nanjing brocade starting around the 13th century AD. Because of
the varied designs and patterns of the fabric, and the
requirement of being hand done on these old fashioned looms, the
two weavers working together could produce only about 4 to 8
inches of brocade per day.
In contrast to the massive loom was a
table containing a light and a small frame on which was stretched
what is most probably the most beautiful cloth ever produced by
man, or
women as this case was. Sometimes referred to as double sided
discrepant embroidery, it is the most difficult and demanding of
needlework. An example was one display in which gold fish had
been embroider into a panel from Suzhou. Using colored silks on a
fine openwork silk base as thin as a cicada's wing, the artisan
used thread only 1/48 as thick as normally used, and employing a
variety of stitches was able to produce a translucent image with
knots and thread endings so cleverly concealed that the finished
work can be viewed from either side. An added fascination was
offered when we watched a young lady by the name of Ms. Feng, who
was traveling with the exhibit from China, as she meticulously
added stitches to a new piece of embroidery. Although only a few
feet away, leaning over her shoulder, the thread she was using
was invisible to me.
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